e cover of Ten Years After's 1973 album Recorded Live depicts a giant reel-to-reel recorder, which certainly captures the era when this double-LP set was recorded. Approaching the end of their run -- only one more album would come, 1974's Positive Vibrations -- Ten Years After were deep into the thick of '70s arena rock, so everything they played on-stage wound up stretchinThe best parts here are the improvisations, particularly Alvin Lee's long, languid guitar solos, but this album -- either in its original incarnation or in its expansion -- is a distinctly '70s creation: it's unhurried and indulgent, reveling in its slow, steady march to a virtuosic, never-ending guitar solo. All Music Review